Please turn your phone
Genre | Dokumentation, Interview, Portrait |
Role | Konzeption, Bildgestaltung, Tonaufnahme, Montage, Farbkorrektur, Tonmischung, Untertitelung |
Field | Soziale Arbeit, Gemeinnützigkeit |
In Sachsen ist die Integrationslandschaft in Gefahr: Förderungen werden gekürzt oder sind schon weggefallen. Das betrifft Vereine und Projekte, die sich für Integration, Migration und Teilhabe einsetzen. Viele kämpfen um ihre Existenz oder mussten aufgeben.
Für die politische Kampagne Solidarität statt Kahlschlag haben wir 6 Videos für Instagram, Youtube und die Kampagnen-Website produziert, in denen 6 Institutionen zu Wort kommen und erklären, warum es jetzt Zeit ist zu handeln und Unterstützung dringend gefragt ist.
Alle Videos sind u.a. auf Instagram zu sehen.
Das Positionspapier zur Kampagne ist hier zu finden: www.solidaritaetstattkahlschlag.de.
Teilnehmer*innen:
Bon Courage e.V.
SiK e.V.
Sächsischer Flüchtlingsrat e.V.
Kontaktstelle Wohnen
SISTERS*
Musik: Body Drum Loop by YellowTree: freesound.org
Gefördert von: Monom Stiftung und Spender*innen
Genre | Imagefilm |
Role | Bildgestaltung, Konzeption, Montage, Tonaufnahme, Tonmischung, Farbkorrektur |
Field | Bildende Kunst, Kulturpolitik |
The BBK Bundesverband has been advocating for the social security of visual artists throughout Germany since 1971. Our film gathers different voices that talk about the milestones of the last 50 years as well as about the challenges that still need to be solved. It shows why it became crucial for visual artists to come together in a federal association - and, what can be achieved through joint commitment.
with: Lauriane Dine, Margarita Montgomery, Bianca Müllner, Marcel Noack, Gerhard Pfennig, Zohir Rekkab, Catherine Sanke, Dagmar Schmidt, Mihaela Vujnovic
Coordination: Andrea Gysi, Doris Weinberger
Music: Gregor Pfeffer
Genre | Imagefilm |
Role | Bildgestaltung, Farbkorrektur, Konzeption, Montage, Tonaufnahme, Tonmischung |
Field | Bildende Kunst, Kulturpolitik, Gemeinnützigkeit |
The BBK Leipzig is the largest artists' association in Leipzig and the Leipzig region. The association promotes the visual arts in the city and region of Leipzig through its commitment to cultural policy. It campaigns for better working conditions and the preservation of the visual arts heritage and works at the interface between artistic work and social commitment.
Together with the BBK Leipzig, we produced an image film that gives an insight into the intensive work of the association.
Project management: Imke Harjes, Nora Ueberhorst, Christiane Werner
Music: Gregor Pfeffer
Genre | Dokumentation, Trailer, Portrait |
Role | Konzeption, Bildgestaltung, Tonaufnahme, Montage, Sounddesign, Farbkorrektur, Tonmischung |
Field | Konzert, Musik, Performance, Theater, Veranstaltung, Sound Art |
Five artists compete against each other to win not only the title The Noise of Germany, but above all the hearts of the listeners. The combatants have shaken the horn of wonder of new music and are trying to win over the audience with excerpts from their favourite pieces.
For the New Music Casting Show initiated by the CRISPR.kollektiv, we produced five video clips integrated into the performance as well as a trailer and a project documentation.
Genre | Dokumentation, Ausstellungsfilm |
Role | Konzeption, Bildgestaltung, Tonaufnahme, Montage, Sounddesign, Farbkorrektur |
Field | Kultur, Museum, Provenienz |
After 25 years of restoration, the Dresden State Art Collections are presenting the completely rebuilt Damascus Room for the first time. The richly decorated reception room is considered a unique example of Syrian decorative art and is to once again become a place of encounter in Dresden.
The documentary, made in close cooperation with the museum, reflects on the history of the Damascus Room and its extensive restoration. The film poses the question of what the presentation of a historical reception room means for a museum of the present.
Genre | Experimentalfilm, Filmische Adaption |
Role | Konzeption, Bildgestaltung, Tonaufnahme, Montage, Sounddesign, Farbkorrektur |
Field | Feminismus, FLINTA*, Performance, Geschichte |
A new movement: Re*mapping Leipzig is an app that artistically conveys the history and present of Leipzig’s women’s:movements and makes both forgotten histories and current conflicts visible in the urban space.
with: Angelika Waniek, Mandy Gehrt, Patrizia Bieri
Project management: Бükü – Büro für kulturelle Übersetzungen, Mandy Gehrt, Julia Kurz, Johanna Ralser
Genre | Imagefilm, Portrait |
Role | Bildgestaltung, Konzeption, Montage, Farbkorrektur, Greenscreen, Tonaufnahme, Tonmischung, Untertitelung, Barrierefreie Filmfassung |
Field | Inklusion, Ausbildung |
At the Berufsbildungswerk Leipzig (BBW), young people can try out a profession, prepare for an education or complete an education. The BBW specializes in people with hearing, speech and language or other communication impairments.
For the image film, we accompanied the specialist trainee Katerina Trujillova and the trainee Oliver Beier. They give personal insights into the theoretical and practical training in their specialist areas, into support services and living and leisure activities at BBW Leipzig. The special features of the training become clear and the BBW is presented as an attractive place to learn and live.
For the low-barrier version, we used green screen technology to integrate the sign language interpreter into the video.
with: Oliver Beier, Katerina Trujillova
Project management: Christine Heuer, Fabian Nguni
Genre | Interview |
Role | Bildgestaltung, Montage, Farbkorrektur, Tonaufnahme |
Field | Bildende Kunst, Medienkunst, Veranstaltung, Film |
paradoks - at the edges of documentary is a festival situated between art and moving image, which is dedicated to showing documentary formats beyond the cinema screens. paradoks is a joint project of GEGENkino and the Filmische Initiative Leipzig (FILZ).
We documented the second edition of the video art festival in Leipzig, and filmed a series of talks with the artists involved in the exhibition.
Artists: Bani Abidi, Ben DeBurca, Ben Russell, Ginan Seidl, Barbara Wagner, Katrin Winkler
Moderation: Charlotte Bolwin, Undine Rietz
Genre | Dokumentarfilm, Filmische Adaption |
Role | Bildgestaltung, Tonaufnahme, Montage, Farbkorrektur, Tonmischung |
Field | Architektur, Musik, Konzert, Kultur |
The project MUSAIK. Jazz in Fugen took place on 4 September 2021 as a musical prelude to the cultural opening of the historic prayer rooms at the Marktkirche Halle (S.). As part of the ERDF concept for the renovation and upgrading of the Marktkirche Halle, which is an individual monument and cultural heritage site, the approx. 8 square metre rooms, which can be opened to the outside space on both sides of the church, are being reactivated. After the renovation of the Marktkirche in accordance with the preservation order, parallel to or following the building site period, the connection to the urban space will also be sought in the future through cultural formats and building site art. We filmed the musical opening of the event series.
Genre | Filmische Adaption, Dokumentation |
Role | Bildgestaltung, Montage, Farbkorrektur, Tonaufnahme |
Field | Geschichte, Theater |
The cultural and festival association Bruck organized a historical walk with scenic performances in summer 2021. The ensemble reenacted a court day in Bruck in the year of 1631.
We documented the play in public space.
Text: Alois Wittmann
Directing: Karin Michl
Actors: Kultur- und Festspielverein Bruck in der Oberpfalz
Genre | Filmische Adaption, Dokumentation |
Role | Bildgestaltung, Farbkorrektur, Montage, Tonaufnahme, Tonmischung |
Field | Feminismus, FLINTA*, Geschichte, Kultur |
The happening 30 Hours Round Table in cooperation with the Leipzig Women’s Festival brought together social initiatives and citizens on the Leipzig market square on 25 and 26 June 2021 to jointly set an example for social participation and gender justice. Based on the voices of the GDR women's movement of 89/90, the action created a space for remembrance, in which the future was negotiated with each other at the same time.
With the documentation of the event, we have produced a manual on how 30h Round Table works, or could work.
Concept, performance: Tanja Krone, Elisa Ueberschär
Stage: Kollektiv Plus X
Communication: Monika Krajka
Production: Muriel Zibulla
Sound Recording: Moritz Isenhuth
Partners: Leipziger Frauen*Festival, MONAliesA, Frauenkultur Leipzig, Havemann Gesellschaft
Genre | Dokumentation, Imagefilm, Portrait |
Role | Bildgestaltung, Farbkorrektur, Konzeption, Montage, Tonaufnahme, Tonmischung |
Field | Feminismus, FLINTA*, Soziale Arbeit, Gemeinnützigkeit |
Girls and young women with migration or refugee stories are exposed to multiple discrimination (sexism, racism, classism, etc.), which is why they have to struggle with many challenges in a white-dominated society. SISTERS wants to be contact persons and role models, especially in the rural areas of Saxony and as women of colour who are affected themselves. On the one hand, SISTERS organises empowering actions and, on the other hand, works together with educational professionals.
The video presents the racism-critical work of SISTERS in Saxony, discusses successes and challenges and invites you to become active yourself: SISTERS* presentation film
Musik: Henrik Baumgarten
Genre | Tutorial |
Role | Bildgestaltung, Tonaufnahme |
Field | Film, LGBTIQ+, Natur |
"Salam, come closer and repot plants with Amon! Get ready for the tingling, because yes, this is an ASMR video."
The streaming release of Faraz Shariat's film Futur 3 was celebrated in April 2021 with an online festival. Thematically linked to the film, we shot an ASMR video together with Eidin Jalali: Plant Parent Amon demonstrates how to repot a houseplant.
with: Eidin Jalali
Editing, Colour Grading: Clarisse Destailleur
Genre | Ausstellungsfilm, Portrait, Experimentalfilm |
Role | Bildgestaltung, Tonaufnahme, Montage, Farbkorrektur, Sounddesign, Tonmischung, Untertitelung |
Field | Bildende Kunst, Literatur, Performance, Architektur, Museum |
The Bauhaus Residency enables artists from all over the world to live and work in the historic master houses again. Between 2020-2021, we realized 4 films that accompany the invited artists in residence in their work processes. The films translate the encounters between original Bauhaus ideas and contemporary art into an audiovisual form.
The works created by the artist Sofia Dona and the writer and performer Mara Genschel bring the hidden foundations of everyday life to light: Sofia Dona devoted herself to the relationship between humans and animals, Mara Genschel to the claimed mastery of the historical Bauhaus.
with: Sofia Dona, Mara Genschel
Curation: Florian Strob, Valentina Buitrago Garcia
Sounds: David Kamp
Genre | Ausstellungsfilm, Portrait, Experimentalfilm |
Role | Bildgestaltung, Tonaufnahme, Farbkorrektur, Sounddesign, Tonmischung, Untertitelung |
Field | Bildende Kunst, Literatur, Architektur, Museum |
The Bauhaus Residency enables artists from all over the world to live and work in the historic master houses again. Between 2020-2021, we realized 4 films that accompany the invited artists in residence in their work processes. The films translate the encounters between original Bauhaus ideas and contemporary art into an audiovisual form.
For the annual theme Infrastructure, curator Alexis Lowry chose modular, sculptural, and industrially produced objects by artist Charlotte Posenenske as the focus of her work. Writer, philosopher, and literary scholar Hannes Bajohr drew on archival texts to approach the invisible infrastructure of the Masters' Houses.
with: Alexis Lowry, Hannes Bajohr
Curation: Florian Strob, Valentina Buitrago Garcia
Sounds: David Kamp
Genre | Ausstellungsfilm, Portrait, Experimentalfilm |
Role | Bildgestaltung, Tonaufnahme, Farbkorrektur, Sounddesign, Tonmischung, Untertitelung |
Field | Bildende Kunst, Medienkunst, Literatur, Architektur, Museum |
The Bauhaus Residency enables artists from all over the world to live and work in the historic master houses again. Between 2020-2021, we realized 4 films that accompany the invited artists in residence in their work processes. The films translate the encounters between original Bauhaus ideas and contemporary art into an audiovisual form.
During his residency, the window became a membrane for artist Jan Tichy, photography a communication between inside and outside, past and present. The novelist and playwright Kristof Magnusson dealt with his own working processes in video works.
with: Kristof Magnusson, Jan Tichy
Curation: Caroline Janksy, Florian Strob, Valentina Buitrago Garcia
Sounds: David Kamp
Genre | Ausstellungsfilm, Portrait, Experimentalfilm |
Role | Bildgestaltung, Tonaufnahme, Farbkorrektur, Sounddesign, Tonmischung, Untertitelung |
Field | Bildende Kunst, Literatur, Architektur, Museum |
The Bauhaus Residency enables artists from all over the world to live and work in the historic master houses again. Between 2020-2021, we realized 4 films that accompany the invited artists in residence in their work processes. The films translate the encounters between original Bauhaus ideas and contemporary art into an audiovisual form.
In her work Hausen for Haus Gropius, sculptor Inge Mahn responds to the existing space, working out of it, with it, against it. In her poems, the poet Sujata Bhatt explores the relationship between animals, humans and architecture.
Genre | Filmische Adaption, Dokumentarfilm |
Role | Bildgestaltung, Tonaufnahme, Montage, Farbkorrektur |
Field | Museum, Kultur, Provenienz |
Heinze regularly organises lecture days to promote innovation and progress in the building sector and to foster dialogue between actors from science and industry. The second virtual edition of the ArchitekTOUR series is themed Alpine Architecture.
The videos we produced present architects from the Alpine region and their realised projects.
Conception: Klaus Füner
Music: Antoine Assayas
Genre | Dokumentation |
Role | Bildgestaltung, Konzeption, Montage, Tonaufnahme, Tonmischung |
Field | Bildende Kunst, Feminismus, Gemeinnützigkeit, Inklusion, Journalismus, Kultur, Veranstaltung, Natur |
A utopia - what does it actually look like? How can it be imagined, experienced or tested?
For six days, the grassroots-organised congress worked on drafts for a social-ecological utopia. Due to the Corona pandemic, the congress took place mainly online. Besides panel discussions, there was a broad art and cultural programme that creatively asked questions about a just, ecological and feasible future.
We accompanied the congress in its various facets on all days and produced a short documentary, a video for the fundraising campaign and various social media clips.
Music: Jeremy Hunter
Genre | Portrait, Experimentalfilm, Dokumentation, Imagefilm |
Role | Bildgestaltung, Tonaufnahme, Montage, Farbkorrektur, Konzeption, Tonmischung |
Field | Architektur |
For the Berlin-based architecture firm TRU Architekten, a film was made in 2020 about the Music Pavilions at the University of the Arts Berlin.
Our audiovisual approach moves between documentary and experimental film and accompanies the daily happenings in and around the buildings from sunrise to sunset.
Genre | Portrait |
Role | Konzeption, Bildgestaltung, Tonaufnahme, Montage, Farbkorrektur |
Field | Architektur |
STUDIO OINK, based in Leipzig, specialises in object and product design and creates customised concepts for high-quality interior design.
Produced for the It's all about the details industry meeting organised by baunetz interior|design, the film presents the successful company in a short portrait.
Music: Gregor Pfeffer
Genre | Imagefilm, Portrait |
Role | Bildgestaltung, Farbkorrektur, Konzeption, Montage, Tonaufnahme, Tonmischung, Untertitelung, Greenscreen, Barrierefreie Filmfassung |
Field | Ausbildung, Inklusion |
In the Berufsbildungswerk, young people can try out a profession, prepare for an apprenticeship or complete an apprenticeship. The BBW specialises in people with hearing, speech and language or other communication impairments.
11 different training areas are portrayed in short videos. In each clip, trainees give very personal insights into their field and the special features of training at BBW become clear. The films were partly made with the involvement of the trainees. This gave the young people the opportunity to see themselves as an active and self-confident part of the film. The clips thus leave room for different focal points and yet follow a formal overall concept.
Project management: Christine Heuer, Fabian Nguni
Genre | Imagefilm, Portrait |
Role | Konzeption, Tonaufnahme |
Field | Ausbildung, Journalismus, Unternehmen |
Courageous, committed, value-oriented - the EJS has been training journalists according to these principles since 1995. Today, EJS alumni work for respected newspapers, magazines, online editorial offices, radio stations and TV stations throughout Germany. Many have been awarded journalism prizes. But the 22-month cross-media training at the EJS goes beyond teaching the craft. Teamwork and shared values often form the cornerstone of long-term collaboration.
Together with Richard Marx, we accompanied the 13th-year trainees during their training in Berlin.
Cinematography, Editing: Richard Marx
Stills © Richard Marx, EJS Berlin: Journalistenschule mit Haltung, 2020
Genre | Interview, Portrait |
Role | Bildgestaltung, Tonaufnahme, Montage, Farbkorrektur |
Field | Museum, Provenienz, Kultur |
At the international conference Bauhaus sammeln, curators, collectors, art historians, mediators, and museum people are invited to Dessau to exchange ideas about the globally scattered object and collection histories of the Bauhaus.
The interview series we created (3 questions for...) presents their perspectives on the Bauhaus in short interviews.
Concept: Caroline Jansky
Genre | Dokumentarfilm |
Role | Bildgestaltung, Tonaufnahme, Montage, Farbkorrektur |
Field | Provenienz, Museum, Kultur |
The Bauhaus Archive Berlin, the Bauhaus Dessau Foundation and the Klassik Stiftung Weimar are the institutions with the three largest Bauhaus collections in the world. However, the Bauhaus is not only a national heritage, but also an international one. Bauhaus objects and collections are scattered all over the world. The closure of the Bauhaus by the National Socialists, the defamation of their works as "entartet", fleeing and emigration have led to Bauhaus objects being collected worldwide.
The international conference Collecting Bauhaus from December 2 - 5, 2019 shows that the new Bauhaus Museum Dessau is part of a worldwide network of museums with Bauhaus collections. The participants exchanged views on the multifaceted provenances of the collections as well as the different exhibition and mediation strategies and, based on this, discussed questions of a global Bauhaus historiography. And finally, it was important to think about how the global interconnections can be made fruitful for a Bauhaus museum in the 21st century.
We documented the conference and edited lecture and discussion sequences from it.
Genre | Trailer, Interview |
Role | Konzeption, Bildgestaltung, Tonaufnahme, Montage, Tonmischung, Sounddesign, Farbkorrektur |
Field | Kultur, Bildende Kunst, Medienkunst, Öffentlicher Raum |
The Werkleitz Festival 2019 in Dessau-Roßlau takes a look at the legacy of the Bauhaus from the perspective of current artistic productions and is inspired by the mutually facing tensions between the concepts of model and ruin.
For the festival, we conceived and produced interview films with the participating artists as well as the festival trailer.
Genre | Dokumentation, Interview |
Role | Bildgestaltung, Konzeption, Tonaufnahme |
Field | Architektur, Geschichte |
Under the title IWV - Innere Westvorstadt: Rueckgriff und Experiment im Leipziger Kolonnadenviertel, the architectural and historical context of the Kolonnadenviertel in Leipzig is illuminated to accompany the annual program of the Leipziger Kunstverein.
In video interviews with two of the architects primarily responsible, Dr. Frieder Hofmann and Siegfried Kober, Diana Felber and Juliane Richter explore the specific conditions of the late but productive postmodern phase of Leipzig architecture in the 1980s.