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Genre | |
Role | Barrierefreie Filmfassung, Untertitelung |
Field | Film |
The ARD crime series Lauchhammer - Death in Lusatia is about the search for a murderer in six episodes. The story is told about a unique landscape around the small town of Lauchhammer and the lignite mining area, a region in transition and the people who are rooted there. We collaborated on the barrier-free subtitling of the series.
Collaboration with Jana Keuchel: INKK Film
Genre | Imagefilm, Portrait |
Role | Bildgestaltung, Konzeption, Montage, Farbkorrektur, Greenscreen, Tonaufnahme, Tonmischung, Untertitelung, Barrierefreie Filmfassung |
Field | Inklusion, Ausbildung |
At the Berufsbildungswerk Leipzig (BBW), young people can try out a profession, prepare for an education or complete an education. The BBW specializes in people with hearing, speech and language or other communication impairments.
For the image film, we accompanied the specialist trainee Katerina Trujillova and the trainee Oliver Beier. They give personal insights into the theoretical and practical training in their specialist areas, into support services and living and leisure activities at BBW Leipzig. The special features of the training become clear and the BBW is presented as an attractive place to learn and live.
For the low-barrier version, we used green screen technology to integrate the sign language interpreter into the video.
with: Oliver Beier, Katerina Trujillova
Project management: Christine Heuer, Fabian Nguni
Genre | Imagefilm, Portrait |
Role | Bildgestaltung, Farbkorrektur, Konzeption, Montage, Tonaufnahme, Tonmischung, Untertitelung, Greenscreen, Barrierefreie Filmfassung |
Field | Ausbildung, Inklusion |
In the Berufsbildungswerk, young people can try out a profession, prepare for an apprenticeship or complete an apprenticeship. The BBW specialises in people with hearing, speech and language or other communication impairments.
11 different training areas are portrayed in short videos. In each clip, trainees give very personal insights into their field and the special features of training at BBW become clear. The films were partly made with the involvement of the trainees. This gave the young people the opportunity to see themselves as an active and self-confident part of the film. The clips thus leave room for different focal points and yet follow a formal overall concept.
Project management: Christine Heuer, Fabian Nguni