In anderen Umstaenden (In different circumstances) is a web documentary. 12 people with learning difficulties talk about their experiences with wanting children and parenthood. And they demand from society: We want different circumstances!

Each protagonist is presented on the accessible website in several films: There is one message, one film with everyday scenes and one longer conversation per person. All the films will be published until the International Day for People with Disabilities on 3 December. We are editing a part of the films.

The Professional Media Master Class (PMMC) is an in-service or on-the-job program for media professionals who wish to professionalize themselves in a documentary film practice. The PMMC graduates form a strong network of artists in the region who deal with the complex issues of our time, are aware of their responsibility as opinion multipliers, are civically engaged and stand up for a solidary, fair and equal society with their projects and beyond.

For the films of the Professional Media Master Class 2022 we have spotted the English subtitles.

Coming of Age is an interview based documentary film by Anna Maria Friedrich: Ruth was sent by her parents from Schmalkalden to the USA in 1939 to escape the Holocaust. In an exchange with Luai, who came to Schmalkalden from Aleppo as an unaccompanied refugee in 2015, a cinematic dialogue emerges about flight and arriving in a different society.

We provided bilingual subtitles for the film, and are currently distributing it to international festivals.

We did the color grading for the film Blast Furnace No II by filmmaker Su Yu Hsin, which has been shown since 2022 in the permanent exhibition of the Industriemuseum Henrichshuette in Hattingen.

The project MUSAIK. Jazz in Fugen took place on 4 September 2021 as a musical prelude to the cultural opening of the historic prayer rooms at the Marktkirche Halle (S.). As part of the ERDF concept for the renovation and upgrading of the Marktkirche Halle, which is an individual monument and cultural heritage site, the approx. 8 square metre rooms, which can be opened to the outside space on both sides of the church, are being reactivated. After the renovation of the Marktkirche in accordance with the preservation order, parallel to or following the building site period, the connection to the urban space will also be sought in the future through cultural formats and building site art. We filmed the musical opening of the event series.

Almost 20 years after Stefan Heym's death, his wife Inge Heym bequeathed the writer's working library, which had been compiled over decades, to his native city of Chemnitz. The filmmaker Beate Kunath, who is also originally from Chemnitz, accompanied Inge Heym's preparations for the transfer of the library of around 2500 books with her camera. Supplemented by archive footage with Stefan Heym, the result is a sensitive double portrait that offers surprising new insights into Heym's life and literary work.

We researched some of the archive footage for the film and clarified their royalty rights.

Heinze regularly organises lecture days to promote innovation and progress in the building sector and to foster dialogue between actors from science and industry. The second virtual edition of the ArchitekTOUR series is themed Alpine Architecture.

The videos we produced present architects from the Alpine region and their realised projects.

The Bauhaus Archive Berlin, the Bauhaus Dessau Foundation and the Klassik Stiftung Weimar are the institutions with the three largest Bauhaus collections in the world. However, the Bauhaus is not only a national heritage, but also an international one. Bauhaus objects and collections are scattered all over the world. The closure of the Bauhaus by the National Socialists, the defamation of their works as "entartet", fleeing and emigration have led to Bauhaus objects being collected worldwide.

The international conference Collecting Bauhaus from December 2 - 5, 2019 shows that the new Bauhaus Museum Dessau is part of a worldwide network of museums with Bauhaus collections. The participants exchanged views on the multifaceted provenances of the collections as well as the different exhibition and mediation strategies and, based on this, discussed questions of a global Bauhaus historiography. And finally, it was important to think about how the global interconnections can be made fruitful for a Bauhaus museum in the 21st century.

We documented the conference and edited lecture and discussion sequences from it.