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Genre | Dokumentation, Ausstellungsfilm |
Role | Konzeption, Bildgestaltung, Tonaufnahme, Montage, Sounddesign, Farbkorrektur |
Field | Kultur, Museum, Provenienz |
After 25 years of restoration, the Dresden State Art Collections are presenting the completely rebuilt Damascus Room for the first time. The richly decorated reception room is considered a unique example of Syrian decorative art and is to once again become a place of encounter in Dresden.
The documentary, made in close cooperation with the museum, reflects on the history of the Damascus Room and its extensive restoration. The film poses the question of what the presentation of a historical reception room means for a museum of the present.

Genre | Ausstellungsfilm, Interview |
Role | Untertitelung, Montage |
Field | Feminismus, Forschung, Geschichte, Museum |
For the exhibition and curatorial intervention The Missed Seminar at the Haus der Kulturen der Welt Berlin and the permanent collection of the Albertinum in Dresden we did the subtitling and montage of exhibition clips.
The Missed Seminar re-activates archival material on the life, thought, writings, and relationships of Black feminist, anthropologist, and African American photographer Eslanda Robeson. Beginning with her friendship with German-Jewish Marxist philosopher Franz Loeser and their encounters in East Berlin in 1963, the curatorial study asks, What if their exchange had been the setting for a seminar? An exhibition and conversations unfold Robeson and Loeser's unfinished political aspirations and propose an intersectional blueprint on anti-fascism, Black feminism, and techno-politics.
Concept: Doreen Mende
Communication: Océane Vé-Réveillac



Genre | Ausstellungsfilm |
Role | Untertitelung |
Field | Geschichte, Museum |
The exhibition presented in the Paul Löbe House of the German Bundestag Involuntary Remembrance. On the Significance of the Wannsee Conference in History and the Present is dedicated to the Villa am Wannsee and its history.
We have subtitled four films embedded in the exhibition.

Genre | Ausstellungsfilm, Experimentalfilm, Dokumentarfilm |
Role | Farbkorrektur |
Field | Bildende Kunst, Film, Geschichte, Museum |
We did the color grading for the film Blast Furnace No II by filmmaker Su Yu Hsin, which has been shown since 2022 in the permanent exhibition of the Industriemuseum Henrichshuette in Hattingen.
Concept, Direction: Su Yu Hsin
Cinematography: Juliane Jaschnow
Stills @ Juliane Jaschnow/ Su Yu Hsin, Blast Furnace No II, 2022







Genre | Ausstellungsfilm, Portrait, Experimentalfilm |
Role | Bildgestaltung, Tonaufnahme, Montage, Farbkorrektur, Sounddesign, Tonmischung, Untertitelung |
Field | Bildende Kunst, Literatur, Performance, Architektur, Museum |
The Bauhaus Residency enables artists from all over the world to live and work in the historic master houses again. Between 2020-2021, we realized 4 films that accompany the invited artists in residence in their work processes. The films translate the encounters between original Bauhaus ideas and contemporary art into an audiovisual form.
The works created by the artist Sofia Dona and the writer and performer Mara Genschel bring the hidden foundations of everyday life to light: Sofia Dona devoted herself to the relationship between humans and animals, Mara Genschel to the claimed mastery of the historical Bauhaus.
with: Sofia Dona, Mara Genschel
Curation: Florian Strob, Valentina Buitrago Garcia
Sounds: David Kamp

Genre | Ausstellungsfilm, Portrait, Experimentalfilm |
Role | Bildgestaltung, Tonaufnahme, Farbkorrektur, Sounddesign, Tonmischung, Untertitelung |
Field | Bildende Kunst, Literatur, Architektur, Museum |
The Bauhaus Residency enables artists from all over the world to live and work in the historic master houses again. Between 2020-2021, we realized 4 films that accompany the invited artists in residence in their work processes. The films translate the encounters between original Bauhaus ideas and contemporary art into an audiovisual form.
For the annual theme Infrastructure, curator Alexis Lowry chose modular, sculptural, and industrially produced objects by artist Charlotte Posenenske as the focus of her work. Writer, philosopher, and literary scholar Hannes Bajohr drew on archival texts to approach the invisible infrastructure of the Masters' Houses.
with: Alexis Lowry, Hannes Bajohr
Curation: Florian Strob, Valentina Buitrago Garcia
Sounds: David Kamp

Genre | Ausstellungsfilm, Portrait, Experimentalfilm |
Role | Bildgestaltung, Tonaufnahme, Farbkorrektur, Sounddesign, Tonmischung, Untertitelung |
Field | Bildende Kunst, Medienkunst, Literatur, Architektur, Museum |
The Bauhaus Residency enables artists from all over the world to live and work in the historic master houses again. Between 2020-2021, we realized 4 films that accompany the invited artists in residence in their work processes. The films translate the encounters between original Bauhaus ideas and contemporary art into an audiovisual form.
During his residency, the window became a membrane for artist Jan Tichy, photography a communication between inside and outside, past and present. The novelist and playwright Kristof Magnusson dealt with his own working processes in video works.
with: Kristof Magnusson, Jan Tichy
Curation: Caroline Janksy, Florian Strob, Valentina Buitrago Garcia
Sounds: David Kamp

Genre | Ausstellungsfilm, Portrait, Experimentalfilm |
Role | Bildgestaltung, Tonaufnahme, Farbkorrektur, Sounddesign, Tonmischung, Untertitelung |
Field | Bildende Kunst, Literatur, Architektur, Museum |
The Bauhaus Residency enables artists from all over the world to live and work in the historic master houses again. Between 2020-2021, we realized 4 films that accompany the invited artists in residence in their work processes. The films translate the encounters between original Bauhaus ideas and contemporary art into an audiovisual form.
In her work Hausen for Haus Gropius, sculptor Inge Mahn responds to the existing space, working out of it, with it, against it. In her poems, the poet Sujata Bhatt explores the relationship between animals, humans and architecture.





Genre | Filmische Adaption, Dokumentarfilm |
Role | Bildgestaltung, Tonaufnahme, Montage, Farbkorrektur |
Field | Museum, Kultur, Provenienz |
Heinze regularly organises lecture days to promote innovation and progress in the building sector and to foster dialogue between actors from science and industry. The second virtual edition of the ArchitekTOUR series is themed Alpine Architecture.
The videos we produced present architects from the Alpine region and their realised projects.
Conception: Klaus Füner
Music: Antoine Assayas
Genre | Interview, Portrait |
Role | Bildgestaltung, Tonaufnahme, Montage, Farbkorrektur |
Field | Museum, Provenienz, Kultur |
At the international conference Bauhaus sammeln, curators, collectors, art historians, mediators, and museum people are invited to Dessau to exchange ideas about the globally scattered object and collection histories of the Bauhaus.
The interview series we created (3 questions for...) presents their perspectives on the Bauhaus in short interviews.
Concept: Caroline Jansky
Genre | Dokumentarfilm |
Role | Bildgestaltung, Tonaufnahme, Montage, Farbkorrektur |
Field | Provenienz, Museum, Kultur |
The Bauhaus Archive Berlin, the Bauhaus Dessau Foundation and the Klassik Stiftung Weimar are the institutions with the three largest Bauhaus collections in the world. However, the Bauhaus is not only a national heritage, but also an international one. Bauhaus objects and collections are scattered all over the world. The closure of the Bauhaus by the National Socialists, the defamation of their works as "entartet", fleeing and emigration have led to Bauhaus objects being collected worldwide.
The international conference Collecting Bauhaus from December 2 - 5, 2019 shows that the new Bauhaus Museum Dessau is part of a worldwide network of museums with Bauhaus collections. The participants exchanged views on the multifaceted provenances of the collections as well as the different exhibition and mediation strategies and, based on this, discussed questions of a global Bauhaus historiography. And finally, it was important to think about how the global interconnections can be made fruitful for a Bauhaus museum in the 21st century.
We documented the conference and edited lecture and discussion sequences from it.